Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far. The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939). The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff. The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man. Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'. Roger Philip Mellor
片名：《荣耀六十年》
导演：Herbert,Wilcox
演员：Anna,Neagle,Anton,Walbrook,C.,Aubrey,Smith,Walter,Rilla
《荣耀六十年》Neflix剧评
Netflix最佳剧评：我感觉《荣耀六十年》还不错的， 于中中导演设计了很多镜头非常精彩，有我最喜欢的Anna,Neagle,Anton,Walbrook,C.,Aubrey,Smith,Walter,Rilla等老师参与演出，我是他们的粉丝。
很多人给3星，所以《荣耀六十年》真的这么糟吗？
当然不是，《荣耀六十年》这部电视剧体现出导演及编剧严谨的态度，对市场和剧迷的把控是其他导演所缺乏的。剧情很流畅，人物也很丰满，节奏把握的很好，演员演技爆炸，剧本编写极佳，我不会吝啬我的5星。细节也很到位。整个剧情三观也很正，总体来说，可以和朋友一起看，推荐！！！
请问哪个网站可以免费在线观看《荣耀六十年》？
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请问《荣耀六十年》什么类型的剧情片？
时代TV 网友：《荣耀六十年》是1938英国制作的剧情片。
